The church of San Miguel of Almazán (Soria, Spain) houses a twelfth-century antependium ornamented with scenes of Thomas Becket’s martyrdom. Discovered during restoration works in 1936, its origin and its original location are unknown. The aim of this article is twofold—to frame its manufacture chronologically in light of recent research on late-Romanesque sculpture in Castile, and to use this information to discover who commissioned this work: The bishops of Sigüenza, whose diocese included Almazán? The canons of the monastery of Allende Duero built at the foot of Almazán’s town wall? Or, as has always been claimed, the Castilian Monarchs Alfonso VIII and Eleanor of England, who were the chief promoters of the Becket cult in their dominions? Whatever the answer, this relief is one of the earliest examples of Canterbury saint iconography in the Crown of Castile.

中文翻译：

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从坎特伯雷到杜埃罗——卡斯蒂利亚王国贝克特殉难肖像的早期例子

阿尔马赞圣米格尔教堂（西班牙索里亚）有一个 12 世纪的前厅，装饰着托马斯·贝克特的殉难场景。于 1936 年在修复工程中发现，其起源和原始位置未知。这篇文章的目的是双重的——根据最近对卡斯蒂利亚晚期罗马式雕塑的研究，按时间顺序构建它的制造，并利用这些信息来发现谁委托了这项工作：Sigüenza 的主教，其教区包括 Almazán？建在阿尔马赞城墙脚下的阿连德杜埃罗修道院的教规？或者，正如人们一直声称的那样，卡斯蒂利亚君主阿方索八世和英格兰的埃莉诺是贝克特教派在其领土上的主要推动者？不管答案是什么，