SUMMARY

Among the elements found on tin-glazed ceramics of Iberian tradition recovered from archaeological excavations in Mexico City are the potters’ marks painted on the surface of the vessels. These were commonly placed on the external and internal surface of serving ware pertaining to the 17th and 18th centuries. Archaeological research on maiolica from Mexico has insufficiently addressed the significance of the marks in terms of changes in the pottery industry and culture within the colonial environment. Drawing from historical sources and archaeological samples the research of such elements allowed to observe changes that occurred inside the maiolica industry and the status of potters, and will argue that the marks are elements that embody the ideological realm. In the particular case of Mexico, these marks embody notions of the doctrine of ’blood purity’ that permeated the craft.

概括

在墨西哥城考古发掘中发现的伊比利亚传统锡釉陶瓷上发现的元素之一是画在器皿表面的陶工痕迹。这些通常放置在 17 和 18 世纪的餐具的外表面和内表面上。对来自墨西哥的 maiolica 的考古研究没有充分说明这些标记在殖民环境中陶器工业和文化变化方面的重要性。从历史资料和考古样本中提取这些元素的研究可以观察到 maiolica 行业内部发生的变化和陶艺家的地位，并将论证这些标记是体现意识形态领域的元素。在墨西哥的特殊情况下，