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Leonardo Da Vinci’s Archival of the Dermatologic Condition
Journal of Medical Humanities Pub Date : 2021-08-27 , DOI: 10.1007/s10912-021-09709-y
Edward Hadeler 1
Affiliation  

The interconnection of scientific studies and art represented by Leonardo Da Vinci’s (1452–1519) portraiture accentuates his role in documenting and archiving dermatologic conditions. His anatomical dissections, sketches, and paintings, including portraits, were all a means to observe, portray, and understand the nuances of the human body. In two of his most discussed portraits, Ginevra de’ Benci (1474-1478) and Elisabetta del Giocondo, the Mona Lisa (1503-1506), Leonardo’s execution of the exterior anatomy is so precise that he may have illustrated manifestations of disease that allow contemporary researchers to theorize diagnoses of dermatologic as well as neurologic, endocrine and vascular conditions. These include hypochromic anemia, muscular disorders, xanthelasma, thyroid disease, lipoma, and frontal fibrosing alopecia. Leonardo’s extraordinary talent in recording his observations of shades and textures of skin and his ability to capture the nuances of subtle variations in the human body have produced a historical record that allows modern dermatology practitioners to make further observations not possible in his time. Here, dermatology and art intersect serving to document and explain the human condition, permanently archived in Leonardo’s masterpieces.



中文翻译:

列奥纳多·达·芬奇 (Leonardo Da Vinci) 的皮肤病档案

以列奥纳多·达·芬奇 (Leonardo Da Vinci)(1452-1519 年)的肖像画为代表的科学研究与艺术的相互联系,突出了他在记录和存档皮肤病方面的作用。他的解剖解剖、素描和绘画,包括肖像,都是观察、描绘和理解人体细微差别的手段。在他讨论最多的两幅肖像画中,Ginevra de' Benci (1474-1478) 和Elisabetta del Giocondo,蒙娜丽莎(1503-1506),列奥纳多对外部解剖结构的执行非常精确,以至于他可能已经说明了疾病的表现,使当代研究人员能够将皮肤病学以及神经学、内分泌和血管疾病的诊断理论化。这些包括低色素性贫血、肌肉疾病、黄瘤、甲状腺疾病、脂肪瘤和额叶纤维化脱发。列奥纳多 (Leonardo) 在记录他对皮肤色调和纹理的观察方面的非凡才能以及他捕捉人体细微变化细微差别的能力创造了历史记录,使现代皮肤病学从业者能够进行他那个时代无法进行的进一步观察。在这里,皮肤病学和艺术相交,用于记录和解释人类状况,永久存档在莱昂纳多的杰作中。

更新日期:2021-08-27
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