Abstract:

The influx of European émigré filmmakers into the US film industry during the mid-1930s led to an exilic critique in Hollywood films. This study analyzes Fritz Lang’s Fury (1936) to explore the relationships between exile and trauma, engaging with issues of displacement, memory, the victim/perpetrator duality, and the loss of “home.”

中文翻译：

---

黑色和流放电影：弗里茨朗的愤怒、创伤和德国批判

摘要：

1930 年代中期，欧洲移民电影制作人涌入美国电影业，这导致好莱坞电影受到放逐的批评。本研究分析了弗里茨·朗的愤怒(1936) 以探讨流放与创伤之间的关系，涉及流离失所、记忆、受害者/肇事者二元性以及失去“家”等问题。