What goes behind the scene of a woman writer's writing process? Beneath shiny finished writing products lies an arduous writing process often remain unseen to readers. The article makes visible two women writers' bodies and our embodied writing experiences through an intersectional feminist lens. Writer One is a Singapore-born, ethnic Chinese, queer migrant woman academic residing in Australia with her long-term partner. Writer Two is an England-born, Australian-British dual citizen, white heterosexual married mother of young twin children ready to kick start her academic career after her recent PhD conferment. Writer One with her fibromyalgic, traumatized, and othered bodies and Writer Two with her vulvodynia, mothering, and gendered bodies write themselves, their bodies and embodied writing experiences into existence in this article. Using autoethnographic accounts, they discuss how their multiple, chronically ill, and pained bodies influence their writing process and choice of writing topics. Specifically, they reveal how their bodies negotiate the tension between neoliberal demands imposed on their bodies and their feminist resistance efforts against constrictive forces in the knowledge production economy. Using this piece of writing as feminist resistance, they seek to reject dominant discourses, hold space, inscribe their own narratives, and call for collective feminist action with fellow women writers.

中文翻译：

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女作家的身体：多样性、新自由主义和女权主义抵抗

女作家写作过程的幕后是什么？在闪亮的成品书写产品之下，读者往往看不到艰辛的写作过程。这篇文章通过交叉的女权主义镜头，让两位女作家的身体和我们具体的写作经历可见。作家一号是一位出生于新加坡的华裔酷儿移民女性学者，与她的长期伴侣居住在澳大利亚。作家二是英国出生、澳大利亚和英国双重国籍的白人异性恋已婚母亲，她有一对双胞胎孩子，准备在最近获得博士学位后开始她的学术生涯。作家一与她的纤维肌痛、创伤和其他身体以及作家二与她的外阴痛、母性和性别化的身体一起在这篇文章中写下了他们自己、他们的身体和具体的写作经历。他们使用自述民族志的叙述，讨论他们的多重、慢性病和痛苦的身体如何影响他们的写作过程和写作主题的选择。具体来说，他们揭示了他们的身体如何协调强加于他们身体的新自由主义要求与她们反对知识生产经济中的限制力量的女权主义努力之间的紧张关系。使用这篇文章作为女权主义的抵抗，他们试图拒绝主流话语，保持空间，写下自己的叙述，并呼吁与女作家同行采取集体女权主义行动。他们揭示了她们的身体如何在强加于她们身体上的新自由主义要求与她们反对知识生产经济中限制性力量的女权主义努力之间的紧张关系中进行协商。使用这篇文章作为女权主义的抵抗，他们试图拒绝主流话语，保持空间，写下自己的叙述，并呼吁与女作家同行采取集体女权主义行动。他们揭示了她们的身体如何在强加于她们身体上的新自由主义要求与她们反对知识生产经济中限制性力量的女权主义努力之间的紧张关系中进行协商。使用这篇文章作为女权主义的抵抗，他们试图拒绝主流话语，保持空间，写下自己的叙述，并呼吁与女作家同行采取集体女权主义行动。