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Objects of Migration—Photo-Objects of Art History: Encounters in an Archive
Visual Anthropology Pub Date : 2021-07-30 , DOI: 10.1080/08949468.2021.1944773
Almut Goldhahn , Massimo Ricciardo

The essay focuses on an unsighted archive of migration that preserves numerous discarded objects from undocumented migration into Europe. This “trash” was recovered and stored by the artists Massimo Ricciardo and Thomas Kilpper, for whom the objects signify one of the most urgent societal challenges of our time. In the installation “Objects of Migration—Photo Objects of Art History,” Ricciardo introduced some of these objects into the physical space of the Photothek of the Kunsthistorisches Institut in Florenz to engage in a dialog with the photographical documents of this art-historical photo archive. That physical encounter between two completely different archives and objects raised questions about the significance and value of such objects of migration and their archive in regard to cultural memory and temporalities of cultural heritage.



中文翻译:

迁移的对象——艺术史的照片对象:档案中的邂逅

这篇文章的重点是一个看不见的移民档案,其中保存了许多因无证移民到欧洲而被丢弃的物品。这些“垃圾”由艺术家马西莫·里卡多 (Massimo Ricciardo) 和托马斯·基尔珀 (Thomas Kilpper) 回收和储存,对他们来说,这些物品象征着我们这个时代最紧迫的社会挑战之一。在装置“迁移的对象——艺术史的照片对象”中,里卡多将其中一些对象引入了佛罗伦萨艺术史研究所 Photothek 的物理空间,与这个艺术史照片档案的照片文件进行对话. 两个完全不同的档案和物品之间的物理相遇引发了关于此类迁移物品及其档案在文化记忆和文化遗产时间性方面的重要性和价值的问题。

更新日期:2021-08-01
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