This conversation paper examines the visual, sonic and corporeal entanglements that inform the work of the Vietnamese-American-Japanese artist Jun Nguyen-Hatsushiba. It explores the corporeal and aural qualities that are central to an understanding and sensorial experience of the artist's installations and visual practice. In paying attention to breath, sound and motion in visual art production, Jun Nguyen-Hatsushiba's works reveal how corporeality and sonicity can dismantle the ocular-centrism of visual art. The discussions between Jun and Prarthana map the varied traumatic histories of racial colonialism, war and forced migration that haunt Vietnam's present, and bring to the surface the artist's aesthetic and political concerns around art, performance and cultural memory.

中文翻译：

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装置艺术中的视觉、声音和肉体：与阮初芝君的对话

这篇对话文件探讨了越南-美国-日本艺术家 Jun Nguyen-Hatsushiba 作品中的视觉、声音和物质纠葛。它探索了对艺术家的装置和视觉实践的理解和感官体验至关重要的物质和听觉品质。在关注视觉艺术制作中的呼吸、声音和运动时，Jun Nguyen-Hatsushiba 的作品揭示了肉体和声音如何能够打破视觉艺术的以眼为中心的观念。Jun 和 Prarthana 之间的讨论描绘了困扰越南现在的种族殖民主义、战争和强迫移民的各种创伤历史，并揭示了艺术家对艺术、表演和文化记忆的审美和政治关注。