Unsettling Sound examined the at once destabilizing and liberatory experiential dimensions of sounding through three dialogue-events, opening up possible meanings, sensations, ideological and bodily potentialities of the sonic, and the sonic potentialities of bodies. This series of conversations, co-devised by Sara Jane Bailes and Arabella Stanger, took place remotely and online. Here, traces of the events are gathered into print. Alexandrina Hemsley reflects on their exchange with Seke Chimutengwende and Xana in the midst of creating an audio version of the stage show, Black Holes (2018). Rajni Shah and Royona Mitra share voice letters on the impossibilities of anti-racist institutions and dreaming new worlds. Jeremy Toussaint-Baptiste shares a new conceptual score, Étude for Not Knowing #1 (2021).

中文翻译：

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令人不安的声音：一些痕迹

令人不安的声音通过三个对话事件检查了声音的不稳定和解放体验维度，打开了声音的可能意义、感觉、意识形态和身体潜力，以及身体的声音潜力。这一系列对话由 Sara Jane Bailes 和 Arabella Stanger 共同设计，远程和在线进行。在这里，事件的痕迹被收集成印刷品。Alexandrina Hemsley 回顾了他们与 Seke Chimutengwende 和 Xana 在创建舞台表演的音频版本时的交流，黑洞（2018 年）。Rajni Shah 和 Royona Mitra 分享了关于反种族主义机构和梦想新世界的不可能的语音信件。Jeremy Toussaint-Baptiste 分享了一个新的概念乐谱，不知道的练习曲#1（2021 年）。