The newspapers represent an inscription of the historical reality and of the collective memory of a certain space and time. This article discusses the role of digital journalistic productions in the constitution and stabilization of the history of the coup of 1964, in its 50 years, since the digitalization of memories and of journalism bring new configurations for both. The productions of the journalistic sites of two relevant vehicles in the period of the coup and of two digital natives are analysed. The productions conceive, with standard narrative, the coup and military dictatorship as something negative and pernicious for the history of the country, with some complacency to the coup agents by G1 and O Estado de S. Paulo; the exception of this one of São Paulo – in which the individual memories prevailed – , the other three specials issues bring a didactic and historical tone, with chronology, sources and references.

报纸代表了历史现实和特定空间和时间的集体记忆的铭文。本文讨论了数字新闻制作在 1964 年政变历史的构成和稳定中的作用，在其 50 年中，因为记忆和新闻的数字化为两者带来了新的配置。分析了政变期间两个相关工具和两个数字原住民的新闻网站的制作。这些作品以标准叙事方式将政变和军事独裁视为对该国历史不利和有害的东西，G1 和 O Estado de S. Paulo 对政变代理人有些自满；除了圣保罗的这个例外——个人记忆盛行——