Abstarct:This essay reflects on Eve Kosofsky Sedgwick's citation of Erving Goffman's 1963 book Stigma: Notes on the Management of Spoiled Identity in her essay "Queer Performativity: Henry James's The Art of the Novel" (1993). I track Sedgwick's attempt to wrest queer studies away from "the deconstructive project" and argue that the turn to affect recalls the disavowed roots of the field in midcentury social science.

中文翻译：

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从污名开始

抽象：这篇文章反映了伊芙·科索夫斯基·塞奇维克 (Eve Kosofsky Sedgwick) 在她的文章“酷儿表演性：亨利·詹姆斯的小说艺术”(1993) 中对欧文·戈夫曼 (Erving Goffman) 1963 年出版的《污名：关于被破坏身份管理的说明》(Stigma: Notes on the Management of Spoiled Identity) 的引用。我追踪了 Sedgwick 试图将酷儿研究从“解构项目”中夺走，并认为影响的转向让人想起了世纪中叶社会科学领域被否认的根源。