This article examines Roman Polanski’s film Repulsion from a psychoanalytic perspective by attending Julia Kristeva’s notion of abjection. This paper deals primarily with two main focal points. First, it focuses on the film’s portrayal of the protagonist, Carole’s abjection, her problem of non-differentiation, as evidenced by her relation to the maternal body and to corporeality. Secondly, the article investigates how the film positions its viewers with regard to Carole. It questions how Repulsion impels its spectators to engage Carole with a similar non-differentiation by generating a complex web of ambiguities with regard to the differentiation between external/internal, objective/subjective and reality/fantasy.

中文翻译：

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穿越波兰斯基的排斥的莫比利亚之旅

本文通过关注朱莉娅·克里斯蒂娃 (Julia Kristeva) 的堕落概念，从精神分析的角度审视罗曼·波兰斯基 (Roman Polanski) 的电影《排斥》(Repulsion)。本文主要涉及两个主要焦点。首先，它侧重于电影对主人公卡罗尔的卑鄙刻画，她的非分化问题，正如她与母体和肉体的关系所证明的那样。其次，文章调查了这部电影如何将观众定位于卡罗尔。它质疑排斥如何通过在外部/内部、客观/主观和现实/幻想之间的差异方面产生一个复杂的模糊网络来促使其观众以类似的非差异化方式吸引卡罗尔。