This paper explores Bion's theory of links, L, H, K (Love, Hate and Knowledge) and their minus counterparts, -L, -H, -K, which are not conceivable as simply opposite to or as a lack of L, H, K. Rather, they correspond to a way of experiencing Love, Hatred and Knowledge in terms of absoluteness, and in terms of a radical impossibility of acknowledging loss, relativeness and absence. The theory of links is also examined in its evolution towards the conceptualization of three types of container/contained configurations (commensal, symbiotic and parasitic). These Bionian models are compared and referred to the way Jung articulates the coexistence of 'good' and 'evil', and the paradoxical nature of mental functioning in relation to the individuation process. The images taken from the Rosarium Philosophorum, particularly the Fons Mercurialis, examined by Jung in 'The psychology of the transference' (1946), are explored in the paper. Theory is examined with a particular focus on the adolescent mind and its dramatic phenomenology. Two excerpts taken from the analytic work with a mid-adolescent female patient and a late-adolescent male patient are presented to describe minus-Hate as a form of absolute love, and minus-Love as a form of absolute hatred.

中文翻译：

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负的风景。仇恨、青春期和成长的悖论

本文探讨了 Bion 的链接理论 L、H、K（爱、恨和知识）及其负对应物 -L、-H、-K，它们不能被想象为与 L、H 简单相反或缺少 L、H , K. 相反，它们对应于一种在绝对性方面体验爱、仇恨和知识的方式，并且在承认损失、相对性和缺席的根本不可能方面。链接理论也在其向三种类型的容器/包含配置（共生、共生和寄生）的概念化的演变过程中进行了检验。这些 Bionian 模型被比较并参考了荣格表达“善”与“恶”共存的方式，以及与个体化过程相关的心理功能的矛盾本质。图片来自 Rosarium Philosophorum，尤其是荣格在“移情心理学”（1946 年）中研究的 Fons Mercurialis，在论文中进行了探讨。理论的研究特别关注青少年的心理及其戏剧性的现象学。呈现了从对一名青春期中期女性患者和一名青春期晚期男性患者的分析工作中摘录的两段摘录，将减仇恨描述为一种绝对爱的形式，将减爱描述为一种绝对仇恨的形式。