Mafteaḥ Shelomoh, the Hebrew adaptation of the Clavicula Salomonis, contains a remarkably large number of visual elements, including images and other text-structuring means. This article compares the use of images and image captions of one segulla (an instruction for a magical procedure) in two different manuscripts of the Sefer Mafteaḥ Shelomoh: the MS Oriental 14759 (The British Library, London), and the MS Gollancz. It tries to show how the scribes of the manuscripts were involved in a kind of meta-textual criticism when arranging the textual material anew, adding captions to images and obtaining missing material from alternative sources.

中文翻译：

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Mafteaḥ Shelomoh 中图像和写作的相互作用：两个越狱实验

Mafteaḥ Shelomoh 是 Clavicula Salomonis 的希伯来语改编版，包含大量视觉元素，包括图像和其他文本结构手段。本文比较了 Sefer Mafteaḥ Shelomoh 的两个不同手稿中一个 segulla（魔法程序的说明）的图像和图像说明的使用：MS Oriental 14759（伦敦大英图书馆）和 MS Gollancz。它试图展示手稿的抄写员在重新安排文本材料、为图像添加标题以及从其他来源获取缺失材料时如何参与一种元文本批评。