Abstract:The is article presents a discursively oriented international and transnational approach to the Salzburg Festival's musical-political history in the local, national, and global context. Standing at the crossroads between the prestige politics of post–World War II Salzburg, the U.S. occupation, and the nation of France, these musicians contributed to the construction of imageries of musical Frenchness and to France's musical prestige. However, public reactions eff orts played an important role too, as the example of the Chorale de la Cathédrale de Strasbourg illustrates. Triumphs and controversies of French musical diplomacy in Salzburg illuminate the dynamics of interaction among cultural diplomats, musicians, and various publics and impact the postwar Austrian cultural discourse.

中文翻译：

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Vom Rhein an die Salzach：Teilnahme vom Straßburger Domchor an den Salzburger Festspielen und die französische Musikdiplomatie in Österreich während der Alliierten Besatzungszeit

摘要：这篇文章在地方、国家和全球背景下对萨尔茨堡音乐节的音乐政治历史提出了一种以话语为导向的国际和跨国方法。站在二战后萨尔茨堡的声望政治、美国占领和法国国家之间的十字路口，这些音乐家为法国音乐形象的构建和法国的音乐声望做出了贡献。然而，公众的反应也发挥了重要作用，如斯特拉斯堡大教堂合唱团的例子所示。萨尔茨堡法国音乐外交的胜利和争议阐明了文化外交官、音乐家和各种公众之间的互动动态，并影响了战后奥地利的文化话语。