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Three aspects of dialogue in music therapy: A theoretical treatise
Nordic Journal of Music Therapy ( IF 1.800 ) Pub Date : 2021-06-17 , DOI: 10.1080/08098131.2021.1928272
Gabi Frank 1 , Avi Gilboa 2
Affiliation  

ABSTRACT

Introduction

The concept of dialogue is frequently used in music therapy. Our literature survey reveals that studies discussing the term dialogue in relation to music therapy have focused almost exclusively on either clinical music improvisation or verbal discourse. We believe that the concept of dialogue deserves more elaboration and systematic attention, illuminating its different aspects and potential meanings that it might have in music therapy.

Method

We introduce a theoretical framework that we have developed to broaden the notion of dialogue and its place in music therapy. This theoretical framework, structured as a triadic typology, denotes three aspects of dialogue: ontological, ethical, and pragmatic. The potential of our triadic typology in capturing the dialogical aspects in music therapy is demonstrated through the analysis of a case vignette of a teenage boy diagnosed with leukemia.

Results

The analysis of the vignette provides insights into the complexity of the dialogical dimensions in music therapy and how these dimensions are constantly intertwined to form an ongoing polyphony of dialogue. The insights offered in the analysis reflect the vast connotations of dialogue upon which clinical encounters in music therapy are based.

Discussion

We perceive our triadic typology as a theoretical framework that can be utilized in the analysis of a variety of clinical encounters in music therapy. Therefore, we propose that the reader consider our triadic typology as an analytical tool that might assist music therapists in obtaining a broad understanding of dialogue in the context of music therapy.



中文翻译:

音乐治疗中对话的三个方面:一篇理论论文

摘要

介绍

对话的概念经常用于音乐治疗。我们的文献调查显示,讨论与音乐治疗相关的对话一词的研究几乎完全集中在临床音乐即兴创作或口头话语上。我们认为对话的概念值得更多的阐述和系统的关注,阐明它在音乐治疗中可能具有的不同方面和潜在意义。

方法

我们介绍了一个我们开发的理论框架,以扩大对话的概念及其在音乐治疗中的地位。这个理论框架结构为三元类型学,表示对话的三个方面:本体论、伦理学和语用学。通过对一个被诊断患有白血病的十几岁男孩的案例小插曲的分析,证明了我们的三元类型学在捕捉音乐治疗中对话方面的潜力。

结果

对小插曲的分析提供了对音乐治疗中对话维度的复杂性以及这些维度如何不断交织以形成持续的对话复调的见解。分析中提供的见解反映了音乐治疗中临床遭遇所基于的对话的广泛内涵。

讨论

我们将我们的三元类型学视为一个理论框架,可用于分析音乐治疗中的各种临床遭遇。因此,我们建议读者将我们的三元类型学视为一种分析工具,可以帮助音乐治疗师在音乐治疗的背景下获得对对话的广泛理解。

更新日期:2021-06-17
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