Abstract:In his 2015 staging of Calderón's La cisma de Inglaterra on the boards of Madrid's Compañía Nacional de Teatro Clásico, under the title of Enrique VIII y La cisma de Inglaterra, the director Ignacio García discerned three possible readings of the playwright's text: (1) a "religious" approach centering on the "great matter," a momentous schism between the Anglican and Catholic Churches perpetrated by Enrique VIII; (2) a "melodramatic" emphasis on a tragic love triangle between a king and two queens; and (3) a "civic-political" focus on what happens when a leader privileges private passions and abandons governmental responsibilities. García presented himself as a "barometer of society" in opting to meditate on issues of civic responsibility vis-à-vis political and administrative corruption.

中文翻译：

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公民责任或导演特权：伊格纳西奥·加西亚对卡尔德龙的 La cisma de Inglaterra 的政治舞台

摘要：导演伊格纳西奥·加西亚 (Ignacio García) 于 2015 年在马德里国家剧院 (Compañía Nacional de Teatro Clásico) 的董事会上以 Enrique VIII y La cisma de Inglaterra 为名上演了卡尔德隆 (Ignacio García) 的 La cisma de Inglaterra，该剧作家的文本有以下三种可能的解读： ）一种以“大事”为中心的“宗教”方法，恩里克八世在英国国教和天主教会之间造成了重大分裂；(2) “情节剧”强调国王和两位王后之间的悲剧三角恋；（3）“公民政治”关注当领导者优先考虑私人激情并放弃政府责任时会发生什么。加西亚自称是“社会的晴雨表”