ABSTRACT The modern viewer is familiar with the cinematic paradigm, in which he or she is fixed in a darkened auditorium. However, current audio-visual technologies introduce new viewing modes. This article explores the spatial properties of the projection system (projector, screen surface, projection beam and the viewer), during the transition from analogue to digital technology, with paradigms from the 1960s’ expanded cinema to current multimedia installations, in particular works defined as digitally expanded cinema. Our aim is to explore how the projection space can be combined with architectural space, using expanded cinema design principles.

中文翻译：

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图像投影作为建筑设计工具

摘要 现代观众熟悉电影范式，在这种范式中，他或她被固定在黑暗的礼堂中。然而，当前的视听技术引入了新的观看模式。本文探讨了从模拟技术向数字技术过渡期间投影系统（投影仪、屏幕表面、投影光束和观众）的空间特性，从 1960 年代扩展电影到当前多媒体装置的范式，特别是定义为的作品数字扩展的电影。我们的目标是探索如何使用扩展的影院设计原则将投影空间与建筑空间相结合。