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Rappers, Rajas, and borderless spaces
Indonesia and the Malay World Pub Date : 2020-03-09 , DOI: 10.1080/13639811.2020.1729536
Manolete Mora

ABSTRACT This article examines the complex cultural identities of the newly formed Indonesian province of Kepri through an examination of a rap rendition of the revered poetry of the region’s most esteemed son, Raja Ali Haji (1808–1873). This rendition, ‘Gurindam dua belas’, by the Jogja Hip Hop Foundation was designed to inculcate an awareness of Malayness amongst the youth of Kepri and the Malay world more generally. The article examines how local popular music is created in a situation where entangled allegiances to global, national and local cultural identities are characteristic of the ‘borderless’ space that has resulted from the formation of the ‘Growth Triangle’.

中文翻译:

说唱歌手、Rajas 和无边界空间

摘要 本文通过对该地区最受尊敬的儿子拉贾·阿里·哈吉(Raja Ali Haji,1808-1873 年)的受人尊敬的诗歌的说唱演绎,考察了新成立的印度尼西亚开普里省的复杂文化特征。Jogja Hip Hop 基金会的这种演绎“Gurindam dua belas”旨在向 Kepri 和更普遍的马来世界的青年灌输对马来人的认识。本文探讨了在对全球、国家和地方文化认同的纠缠忠诚是“增长三角”形成所导致的“无边界”空间的特征的情况下,当地流行音乐是如何创作的。
更新日期:2020-03-09
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