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The power of the heart that blazes in the world
Indonesia and the Malay World Pub Date : 2019-09-02 , DOI: 10.1080/13639811.2019.1654217
Bernard Arps

ABSTRACT The prominence of Hindu-Buddhist mythology, imagery, and religiosity in Islamic Java has puzzled observers. The shadow play with its Mahābhārata- and Rāmāyaṇa-derived subject matter is a prime example. Another is the late 18th-century ‘renaissance’ of Old Javanese literature in the Islamic kingdom of Surakarta, which produced classics still celebrated today. Beyond a misguided assumption that the Javanese were so strongly disposed to syncretism that blatant doctrinal clashes did not bother their intellectuals, the factors that animated this enterprise remain obscure, despite its critical consequence for the development of Javanese religiosities. I scrutinize several unstudied manuscripts and piece together information from hitherto unconnected scholarship to try to understand these factors, with reference to pressing circumstances, living theories, as well as people who think, feel, and hope. First I examine Javanese theoretical ideas about the relationship between the Hindu-Buddhist and Islamic traditions and the connection between epic narratives and the present and future of Java. Against this background I consider the initiative, in 1778, to reinterpret the ancient epic heritage, beginning with the Arjunawiwāha (composed c. 1030). Focal points of interest in the Islamic hermeneutics of this poem were a quest for inner potency and the resulting external power of violence, knowledge and revelation, and future kingship.

中文翻译:

燃烧世界的心之力量

摘要 印度教-佛教神话、意象和宗教信仰在伊斯兰爪哇的突出地位让观察者感到困惑。以摩诃婆罗多和罗摩亚派为题材的皮影戏就是一个典型的例子。另一个是 18 世纪晚期在苏拉卡尔塔伊斯兰王国发生的旧爪哇文学的“复兴”,它产生了今天仍然被庆祝的经典。除了错误的假设,即爪哇人如此强烈地倾向于融合,以至于公然的教义冲突并没有打扰他们的知识分子,尽管它对爪哇宗教的发展产生了重要影响,但推动这一事业的因素仍然模糊不清。我仔细研究了几份未经研究的手稿,并从迄今为止没有联系的学术中收集信息,以试图了解这些因素,并结合紧迫的情况,活的理论,以及思考、感受和希望的人。首先,我研究了爪哇关于印度教-佛教和伊斯兰传统之间关系的理论思想,以及史诗叙事与爪哇的现在和未来之间的联系。在这种背景下,我考虑了 1778 年重新诠释古代史诗遗产的倡议,从 Arjunawiwāha(创作于 1030 年)开始。这首诗的伊斯兰诠释学的焦点是对内在力量和由此产生的暴力、知识和启示以及未来的王权的外在力量的追求。在这种背景下,我考虑了 1778 年重新诠释古代史诗遗产的倡议,从 Arjunawiwāha(创作于 1030 年)开始。这首诗的伊斯兰诠释学的焦点是对内在力量和由此产生的暴力、知识和启示以及未来的王权的外在力量的追求。在这种背景下,我考虑了 1778 年重新诠释古代史诗遗产的倡议,从 Arjunawiwāha(创作于 1030 年)开始。这首诗的伊斯兰诠释学的焦点是对内在力量和由此产生的暴力、知识和启示以及未来的王权的外在力量的追求。
更新日期:2019-09-02
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