The articles collected in this Screen Arts issue arise from a conference — Contemporary Spanish Screen Media and Responses to Crisis and Aftermath — held at the University of Manchester on 31 March and 1 April 2017 and supported by the British Academy. The conference set out to explore the diverse ways in which Spanish screen media had responded to the economic crisis dating back to 2007–2008 in Spain, not so much with the luxury of hindsight as in the awareness of a still ongoing process of economic and social attrition bringing new forms of precariousness to bear on citizens and seeing ever more transformation in Spanish film production, distribution and audiences. Many of the papers, and the discussions around them, focused on such immediate material conditions as these; others explored historical precedents; and yet others sought to show how crisis and post-crisis have brought about a shift in the aesthetics of Spanish screen media and a renewed emphasis on innovative and experimental forms. Core to all was an engagement with the discourses and visual conceptualization of such matters as: the shortcomings of the state’s political projects before, during and after the crisis; the effects in Spain of neoliberalism and global capitalism, on communities and the physical conditions of individuals; austerity; activism; agendas for change; gender and precarity. A keynote lecture by Professor Uta Felten (Universit€at Leipzig) explored the emergence of an intergenerational and intermedial network of new ‘Women’s Cinema’ in Spain — an alternative historical account of the torn social fabric and devastated lives of the micro-era; and the interactions of gender, genre, temporality were constant reference points in the conference’s formal and informal discussions. In a second keynote session, filmmaker and video-artist Juanma Carrillo presented a collage of his work over the past decade, marked by the image of the vulnerable body (and the vulnerable heart) and

中文翻译：

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简介：当代西班牙银幕媒体和对危机和后果的反应

本期屏幕艺术中收集的文章来自于 2017 年 3 月 31 日和 4 月 1 日在曼彻斯特大学举行并由英国学院支持的会议——当代西班牙屏幕媒体和对危机和后果的反应。会议旨在探讨西班牙银幕媒体对 2007-2008 年西班牙经济危机的反应方式，与其说是事后的奢侈，不如说是意识到经济和社会的持续发展过程。损耗给公民带来了新的不稳定形式，并见证了西班牙电影制作、发行和观众的更多转变。许多论文以及围绕它们的讨论都集中在这些直接的物质条件上；其他人探讨了历史先例；还有一些人试图展示危机和后危机如何带来西班牙屏幕媒体美学的转变以及对创新和实验形式的重新强调。一切的核心是参与以下问题的话语和视觉概念化：危机之前、期间和之后国家政治项目的缺点；西班牙新自由主义和全球资本主义对社区和个人身体状况的影响；紧缩；激进主义；变革议程；性别和不稳定。Uta Felten 教授（莱比锡大学）的​​主题演讲探讨了西班牙新“女性电影”的代际和中间网络的出现——这是对微观时代撕裂的社会结构和毁灭性生活的另一种历史描述；以及性别的相互作用，在会议的正式和非正式讨论中，体裁、时间性是不变的参考点。在第二场主题演讲中，电影制作人兼视频艺术家 Juanma Carrillo 展示了他过去十年的作品的拼贴画，以脆弱的身体（和脆弱的心）和