ABSTRACT

Based on the results of research on multisensory experience of a city carried out with the participation of sensorily diverse people, the article discusses the possibilities offered by an approach based on the premises of social practice theory for understanding and studying the urban audiosphere. Three auditory fields of analysis of social sonic practices are identified, through and in which it is generated, processed and reproduced: 1) sound as a context and trigger of specific practices – practising in sound, 2) sound as an integral element of social practices – practising through sound, 3) sonic practices as autonomous social practices. The objective of the article is to discuss, using examples and taking into account the aforementioned fields of analysis, the sonic practices of hearing and non-hearing people, point to their meanings in generation and understanding of the urban soundscape, and propose improvements to the research methods for better diagnosis of them. Analysis of the urban audiosphere from the point of view of practices can provide a new perspective by going beyond the horizon of social ideas on the sounds that form it and demonstrating the diverse systems and stream of activities in which the understanding of it is reproduced.

摘要

基于在感官多样化的人参与下进行的城市多感官体验研究的结果，本文讨论了基于社会实践理论前提的方法为理解和研究城市听觉空间提供的可能性。社会声音实践分析的三个听觉领域被识别、通过并在其中生成、处理和复制：1) 声音作为特定实践的背景和触发器——在声音中实践，2) 声音作为社会实践的一个组成部分——通过声音实践，3) 声音实践作为自治的社会实践。本文的目的是通过示例并考虑到上述分析领域，讨论听力和非听力人群的声音实践，指出它们在生成和理解城市音景方面的意义，并提出改进建议更好地诊断它们的研究方法。