当前位置: X-MOL 学术Comput. Music J. › 论文详情
Our official English website, www.x-mol.net, welcomes your feedback! (Note: you will need to create a separate account there.)
From Radios to Biocomputers: An Interview with Eduardo Reck Miranda
Computer Music Journal Pub Date : 2018-04-01 , DOI: 10.1162/comj_a_00448
Miriam Richter 1
Affiliation  

Eduardo Reck Miranda (see Figure 1) is a classically trained composer and artificial intelligence (AI) scientist with an early involvement in electroacoustic and avant-garde pop music. He studied computer science and music in his native Brazil and subsequently took post-graduate degrees at the University of York and the University of Edinburgh in the United Kingdom. He held academic positions at universities in Glasgow, Paris, Barcelona, Berlin, and Bordeaux, and worked for several years at the Sony Computer Science Laboratory in Paris as a research scientist in the fields of AI, speech, and evolution of language. Currently he is Professor of Computer Music at Plymouth University in the UK, where he founded the Interdisciplinary Centre for Computer Music Research (ICCMR) and is the artistic director of the Peninsula Arts Contemporary Music Festival. Miranda is a composer working at the crossroads of music and science. His music includes pieces for symphonic orchestras, chamber groups, and solo instruments, with and without live electronics. His works have been performed by orchestras such as the BBC Concert Orchestra, Orquestra Sinfônica de Porto Alegre, the Chamber Group of Scotland, Ten Tors Orchestra, and the Heritage Orchestra. His compositions have been featured at contemporary music festivals, including Synthèse (Bourges), Ultraschall (Berlin), Nuova Consonanza (Rome), Música Viva (Lisbon), Encuentros de Música Contemporánea (Santiago), EarZoom (Ljubljana), Mainly Mozart (San Diego, California), and the Peninsula Arts Contemporary Music Festival (Plymouth, UK). This interview took place at Plymouth University on 26 February and 3 July 2017, and we communicated a number of times via e-mail in between. Web links to access the recordings of all compositions cited in the interview are available in Table 1, with

中文翻译:

从收音机到生物计算机:对 Eduardo Reck Miranda 的采访

Eduardo Reck Miranda(见图 1)是一位受过古典训练的作曲家和人工智能 (AI) 科学家,早期参与电声和前卫流行音乐。他在他的祖国巴西学习计算机科学和音乐,随后在英国约克大学和爱丁堡大学获得了研究生学位。他曾在格拉斯哥、巴黎、巴塞罗那、柏林和波尔多的大学担任学术职务,并在巴黎的索尼计算机科学实验室工作了数年,担任人工智能、语音和语言进化领域的研究科学家。目前他是英国普利茅斯大学计算机音乐教授,他在那里创立了跨学科计算机音乐研究中心 (ICCMR),并且是半岛艺术当代音乐节的艺术总监。米兰达是一位在音乐和科学的十字路口工作的作曲家。他的音乐包括交响乐团、室内乐团和独奏乐器的作品,有或没有现场电子设备。他的作品曾被 BBC 音乐会管弦乐团、Orquestra Sinfônica de Porto Alegre、苏格兰室内乐团、Ten Tors Orchestra 和 Heritage Orchestra 等管弦乐团演奏。他的作品曾在当代音乐节上展出,包括 Synthèse(布尔日)、Ultraschall(柏林)、Nuova Consonanza(罗马)、Música Viva(里斯本)、Encuentros de Música Contemporánea(圣地亚哥)、EarZoom(卢布尔雅那)、主要莫扎特(圣加利福尼亚州迭戈),和半岛艺术当代音乐节(英国普利茅斯)。本次采访于 2017 年 2 月 26 日和 7 月 3 日在普利茅斯大学进行,我们之间通过电子邮件进行了多次沟通。表 1 中提供了访问访问中引用的所有作品的录音的网络链接,其中
更新日期:2018-04-01
down
wechat
bug