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Electronic Scores for Music: The Possibilities of Animated Notation
Computer Music Journal Pub Date : 2017-09-01 , DOI: 10.1162/comj_a_00427 Cat Hope 1
Computer Music Journal Pub Date : 2017-09-01 , DOI: 10.1162/comj_a_00427 Cat Hope 1
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This article argues that animated notations are the most exciting new direction for music notation since the conception of the real-time score. The real-time score revolutionized performance practices in new music, with the composer Gerhard E. Winkler calling it a “third way” between improvisation and fixed scores. Developing upon the idea of dynamic notation epitomized by the real-time score, animated notation features movement as its foundation, and may be presented as an interactive program, video, or application environment generated in real time or preset. It extends the possibilities presented by graphic notations, engaging the processing power of computing toward new complexities of shape, color, movement dynamics, form, synchronicity, and the very performability of music scores. Beginning with a brief historic overview of trends and background that may have informed the development of animated notation, I then examine contemporary practices and their application to a range of music. I will argue that animated notation brings particular benefits for scoring music featuring electronics and aleatoric elements.
中文翻译:
音乐电子乐谱:动画符号的可能性
本文认为动画记谱法是自实时乐谱概念以来最令人兴奋的乐谱新方向。实时乐谱彻底改变了新音乐的演奏实践,作曲家 Gerhard E. Winkler 称其为即兴创作和固定乐谱之间的“第三种方式”。在以实时乐谱为代表的动态乐谱思想的基础上发展起来,动画乐谱以运动为基础,可呈现为实时或预设的交互式节目、视频或应用环境。它扩展了图形符号呈现的可能性,将计算的处理能力用于形状、颜色、运动动态、形式、同步性和乐谱的可演奏性的新复杂性。从对可能影响动画符号发展的趋势和背景的简要历史概述开始,我然后研究当代实践及其在一系列音乐中的应用。我认为动画符号为以电子和任意元素为特色的音乐配乐带来了特别的好处。
更新日期:2017-09-01
中文翻译:
音乐电子乐谱:动画符号的可能性
本文认为动画记谱法是自实时乐谱概念以来最令人兴奋的乐谱新方向。实时乐谱彻底改变了新音乐的演奏实践,作曲家 Gerhard E. Winkler 称其为即兴创作和固定乐谱之间的“第三种方式”。在以实时乐谱为代表的动态乐谱思想的基础上发展起来,动画乐谱以运动为基础,可呈现为实时或预设的交互式节目、视频或应用环境。它扩展了图形符号呈现的可能性,将计算的处理能力用于形状、颜色、运动动态、形式、同步性和乐谱的可演奏性的新复杂性。从对可能影响动画符号发展的趋势和背景的简要历史概述开始,我然后研究当代实践及其在一系列音乐中的应用。我认为动画符号为以电子和任意元素为特色的音乐配乐带来了特别的好处。