The manifold relationships between text and image are investigated by analysing attempts at a three-dimensional reconstruction of the Palace of Love and Venus described in Giovan Battista Marino’s Adonis. From text analysis and iconographical precedents to free-hand sketching and three-dimensional modelling, the article describes the progressive translation of some verses of the poem into a consistent system of drawings and models, which, besides revealing some hidden features of text, addresses the implicit limits of the ineffable quality of Marino’s literary space.

中文翻译：

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文学建筑后建模重建的方法论注解

通过分析乔万·巴蒂斯塔·马里诺 (Giovan Battista Marino) 的阿多尼斯 (Adonis) 中描述的爱之宫和金星的三维重建尝试，研究了文本和图像之间的多种关系。从文本分析和图像先例到徒手素描和三维建模，文章描述了将诗中的一些诗句逐步翻译成一致的图画和模型系统，除了揭示文本的一些隐藏特征外，还解决了马里诺文学空间不可言喻的品质的隐含限制。