ABSTRACT

This article contributes to histories of live music since digitalization and provides a corrective to the neglect of liveness in scholarship on streaming and platformization. The study argues that digital corporations and social media platforms are shaping the changing value and experience of live music, introducing new patterns of commodification, as digital technologies are incorporated into a live “experience economy,” and live music integrated into a digital “attention economy.” The article illustrates how platforms are exerting greater influence within the music industries as streaming extends live music from an activity associated with real place to an experience in real time.

摘要

本文对数字化以来现场音乐的历史做出了贡献，并纠正了流媒体和平台化学术中对现场性的忽视。该研究认为，随着数字技术融入现场“体验经济”，现场音乐融入数字“注意力经济”，数字公司和社交媒体平台正在塑造现场音乐不断变化的价值和体验，引入新的商品化模式。 。” 这篇文章说明了随着流媒体将现场音乐从与真实场所相关的活动扩展到实时体验，平台如何在音乐行业中发挥更大的影响力。