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Contributors
James Joyce Quarterly Pub Date : 2021-06-10


In lieu of an abstract, here is a brief excerpt of the content:

  • Contributors

CLAIRE BATTERSHILL is an Assistant Professor cross-appointed in the Faculty of Information and the Department of English at the University of Toronto. She is the author of Circus and Modernist Lives and the co-author of Scholarly Adventures in Digital Humanities and Using Digital Humanities in the Classroom (a revised second edition is forthcoming in 2021).

PATRICK CALLAN is a historian of early-twentiethcentury Dublin and Ireland. He has researched and published on the recruiting campaigns for the British Army in Ireland during World War I (his Ph.D. topic), cultural aspects of Irish history (such as the transmission of history in schools), and Irish literary and journalistic figures such as William Bulfin, D. P. Moran, and Sean O'Casey. In recent times, he has turned his attention to the representation of Dublin in Ulysses, and the broadcasting of Joyce's work on the BBC. His work has been featured in the Historical Journal of Film, Radio, and Television and in Studi irlandesi. A Journal of Irish Studies, and will appear in the forthcoming volume of the Dublin James Joyce Journal. He is a visiting research fellow in the Centre for Contemporary Irish History at Trinity College Dublin, and an occasional lecturer in education at Maynooth University.

RONAN CROWLEY received his Ph.D. in English from the University at Buffalo in 2014. From 2014-2016, he was a Humboldt Research Fellow at the University of Passau and, from 2017-2020, was a Marie Skłodowska-Curie Fellow at the University of Antwerp. He is currently completing a book on Ulysses in Europe.

GEORGE CUSACK is a Senior Instructor in English and the Director of Writing Across the Curriculum at Carleton College. He is the author of The Politics of Identity in Irish Drama, and his articles on Irish drama and literature have appeared in Moving Worlds, Modern Drama, and the New Hibernia Review. He is the co-editor and a contributor to the scholarly anthology Hungry Words: Images of Famine in the Irish Canon and provided the introduction for The Selected Plays of Paul Vincent Carroll from the Colin Smythe Press.

FRANCES DICKEY is Associate Professor of English at the University of Missouri, a co-editor of the Complete Prose of T. S. Eliot and The Edinburgh Companion to T. S. Eliot and the Arts, and author of The Modern Portrait Poem from Dante Gabriel Rossetti to Ezra Pound, and she served as president of the International T. S. Eliot Society from 2016-2018. She has published recent articles on Eliot in Twentieth-Century Literature and Modernism/modernity as well as keeping the public apprised of the Eliot-Hale correspondence in her Reports from the Emily Hale Archive.

RAFAEL HERNANDEZ is a Visiting Assistant Professor in the Department of English at Oklahoma State University. His scholarship [End Page 395] draws on historical approaches to the human body and studies how modernist writers render the complex experience of embodiment in literature. His book project traces the emergence and co-development of medical and aesthetic theories of degeneration in the late-nineteenth and early-twentieth centuries and their impact upon the modernist literary moment.

HEATHER RYAN KELLEY is a Professor of Art at McNeese State University in Lake Charles, Louisiana, where she teaches painting and book arts. Her work is in the collections of Cornell University, the New York Public Library's Berg Collection, The Harry Ransom Humanities Research Center of the University of Texas, and SUNY at Buffalo. She is at about the two-thirds mark in her project of making a collage-per-page of Finnegans Wake.

JOSHUA KOTIN is Associate Professor of English at Princeton University. He is the author of Utopias of One and the Director of the Shakespeare and Company Project.

JESSICA MARTELL is Assistant Professor of Interdisciplinary Studies at Appalachian State University in the Blue Ridge Mountains of North Carolina. She is the author of Farm to Form: Modernist Literature and Ecologies of Food in the British Empire and coeditor of Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde. Her work has also appeared in Modernist Cultures, Journal of Modern Literature, Nineteenth-Century Literature, and Gastronomica: The Journal for Food Studies.

PATRICK...



中文翻译:

贡献者

代替摘要,这里是内容的简短摘录:

  • 贡献者

CLAIRE BATTERSHILL 是多伦多大学信息学院和英语系交叉任命的助理教授。她是马戏团现代主义生活的作者,也是数字人文科学学术冒险在课堂中使用数字人文(修订后的第二版将于 2021 年出版)的合著者。

PATRICK CALLAN 是 20 世纪早期都柏林和爱尔兰的历史学家。他研究并发表了第一次世界大战期间英国军队在爱尔兰的招募活动(他的博士课题)、爱尔兰历史的文化方面(例如学校历史传播)以及爱尔兰文学和新闻人物例如威廉·布尔芬、DP 莫兰和肖恩·奥凯西。最近,他把注意力转向了《尤利西斯》中都柏林的代表,以及在 BBC 上播放乔伊斯的作品。他的作品曾在《电影、广播和电视历史杂志》和《爱尔兰研究报》上发表。爱尔兰研究杂志,并将出现在即将出版的都柏林詹姆斯乔伊斯杂志上. 他是都柏林三一学院爱尔兰当代历史中心的访问研究员,并偶尔在梅努斯大学担任教育讲师。

RONAN CROWLEY 获得博士学位。2014 年在布法罗大学获得英语学士学位。 2014-2016 年,他是帕绍大学的洪堡研究员,2017-2020 年,他是安特卫普大学的 Marie Skłodowska-Curie 研究员。他目前正在完成一本关于欧洲尤利西斯的书。

GEORGE CUSACK 是卡尔顿学院的英语高级讲师和跨课程写作主任。他是《爱尔兰戏剧中的身份政治》一书的作者,他关于爱尔兰戏剧和文学的文章发表在《移动世界》、《现代戏剧》和《新希伯尼亚评论》上。他是学术选集Hungry Words: Images of Famine in the Irish Canon的共同编辑和撰稿人,并为Colin Smythe Press 出版的 Paul Vincent Carroll 的精选剧作提供了介绍。

弗朗西斯·迪基是密苏里大学英语系副教授,TS Eliot 全集爱丁堡同伴 TS Eliot 与艺术的共同编辑,以及从但丁·加布里埃尔·罗塞蒂 (Dante Gabriel Rossetti) 到埃兹拉·庞德( Ezra Pound) 的现代肖像诗的作者, 2016-2018 年担任国际 TS 艾略特协会主席。她最近在二十世纪文学现代主义/现代性中发表了关于艾略特的文章,并在艾米丽·黑尔档案馆的报告中让公众了解艾略特-黑尔的通信。

RAFAEL HERNANDEZ 是俄克拉荷马州立大学英语系的客座助理教授。他的奖学金[End Page 395]借鉴了人体的历史方法,并研究了现代主义作家如何在文学中呈现复杂的具身体验。他的图书项目追溯了 19 世纪晚期和 20 世纪早期退化医学和美学理论的出现和共同发展及其对现代主义文学时刻的影响。

HEATHER RYAN KELLEY 是路易斯安那州查尔斯湖麦克尼斯州立大学的艺术教授,在那里她教授绘画和书籍艺术。她的作品被康奈尔大学、纽约公共图书馆的伯格收藏、德克萨斯大学的哈里勒索姆人文研究中心和纽约州立大学布法罗分校收藏。在她为Finnegans Wake制作每页拼贴画的项目中,她大约完成了三分之二。

JOSHUA KOTIN 是普林斯顿大学英语副教授。他是《一的乌托邦》的作者和莎士比亚剧团项目的负责人。

JESSICA MARTELL 是北卡罗来纳州蓝岭山脉阿巴拉契亚州立大学跨学科研究助理教授。她是《农场到形式:大英帝国的现代主义文学和食品生态学》的作者,也是《现代主义和食品研究:政治、美学和前卫》的共同编辑。她的作品还出现在《现代主义文化》《现代文学杂志》、《十九世纪文学》和《美食:食品研究杂志》上

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