Raising questions of the disposability of victims of feminicide in Ciudad Juárez, Mexico, Teresa Margolles' installation Lote Bravo (2005) is compared with the grassroots activist group Voces Sin Eco's Cross Campaign and Humberto Macías Martínez's Muralist Movement. These responses to the feminicidio are considered as interrogating and negating the ideas and ideals of art-activism. Exploring the problematics of Lote Bravo, a new reading of the installation as an ‘artivist’ work is offered, identifying a certain potential beyond Mexico.

中文翻译：

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“No Soy un Activista, Soy un Artista”：在艺术与激进主义的交汇处对杀害女性的表现

Teresa Margolles 的装置Lote Bravo (2005) 提出了墨西哥华雷斯城的女性被杀受害者的可处置性问题，并将其与草根激进组织 Voces Sin Eco 的 Cross Campaign 和 Humberto Macías Martínez 的壁画运动进行了比较。这些对女性主义的回应被认为是对艺术行动主义的思想和理想的质疑和否定。探索Lote Bravo的问题，提供了将该装置作为“艺术家”作品的新解读，确定了墨西哥以外的某种潜力。