In this article, we re-vision Anishinaabe, crip and queer futures of aging against and beyond dominant successful aging narratives by drawing on our archive of digital/multimedia videos (short documentaries) produced in conjunction with older/e/Elder persons and the Re•Vision: Centre for Art and Social Justice. These documentaries are directed and come from the lives of those older and e/Elder persons whose aging embodiments intra-sect with their Indigenous, disabled and queer selves. Disrupting hegemonic successful aging narratives, and specifically heteronormative and ableist trajectories of aging, these alternative renderings of aging futures offer rich, affective relationalities and cyclical timescapes of older experience that draw on the past even as they reach into divergent futurities. Anishinaabe, crip and queer aging emerge. While we discern resonances in relationalities and temporalities among and between the Anishinaabe and non-Indigenous stories, we also identify significant differences across accounts, indicating that they cannot be collapsed together. Instead, we argue for holding different life-ways and futures alongside one another, following the 1613 Two Row Wampum Treaty between the Dutch and the Haudenosaunee, in which each party promised to respect the other's ways, and committed to non-interference, as well as to the development and maintenance of relationship.

在这篇文章中，我们通过利用我们与 older/e/Elder 和 Re •愿景：艺术与社会正义中心。这些纪录片的导演和取材于那些年长者和电子/老年人的生活，他们的衰老体现与他们的土著、残疾人和酷儿自我交织在一起。这些对老龄化未来的另类呈现打破了霸权成功的老龄化叙事，特别是异规范和有能力的老龄化轨迹，提供了丰富的情感关系和旧经验的周期性时间景观，即使它们进入不同的未来，也会借鉴过去。Anishinaabe、跛脚和酷儿老化出现了。虽然我们辨别出 Anishinaabe 和非土著故事之间的关系和时间性的共鸣，但我们也发现了不同叙述的显着差异，表明它们不能合并在一起。相反，我们主张将不同的生活方式和未来并存，遵循 1613 年荷兰人和豪德诺索尼人之间的两行贝贝姆条约，其中每一方都承诺尊重对方的方式，并承诺不干涉，以及关于关系的发展和维持。