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Postmodernist thought of the late Soviet period: three profiles
Studies in East European Thought ( IF 0.250 ) Pub Date : 2021-05-27 , DOI: 10.1007/s11212-021-09417-2
Mikhail Epstein

This article introduces postmodernist trends in late Soviet thought through the prism of the three generations: the philosopher and writer Aleksandr Zinoviev (1922–2006), the poet, artist, and theorist Dmitrii Prigov (1940–2007), and the youngest Soviet conceptualist artistic group “The Medical Hermeneutics Inspectorate” as represented by Pavel Peppershtein (b. 1966; the group’s most active theorist), Sergei Anufriev (b. 1964), and Yurii Leiderman (b. 1963). The article shows how Conceptualism, an influential artistic and intellectual movement of the 1970s–1980–s, used the Soviet ideological system as a material for philosophical parody and pastiche, often characterized also by a lyrical and nostalgic attitude. Conceptualism was not merely an artistic trend: its metaphysical significance is revealed in Aleksander Zinoviev's “satirical” treatises, in Dmitrii Prigov's “shimmering” aesthetics, and in “heremeneutic” performances of younger artists who demonstrate the emptiness of all existing canons and the canon of emptiness itself.



中文翻译:

苏联后期的后现代主义思想:三种概况

本文通过三代人的棱镜来介​​绍苏联后期思想的后现代主义趋势:哲学家和作家亚历山大·齐诺维耶夫(1922-2006),诗人,艺术家和理论家德米特里·普里戈夫(1940-2007),以及最年轻的苏联概念主义艺术家。 Pavel Peppershtein(生于1966年;该组织最活跃的理论家),Sergei Anufriev(生于1964年)和Yurii Leiderman(生于1963年)等代表的“医学诠释学督察”小组。文章说明概念主义是1970年代至1980年代具有影响力的艺术和思想运动,它如何利用苏联意识形态系统作为哲学模仿和模仿的素材,通常还以抒情和怀旧的态度为特征。概念主义不仅是一种艺术潮流:其形而上的意义在亚历山大·齐诺维耶夫(Aleksander Zinoviev)的小说中得到了揭示。

更新日期:2021-05-27
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