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Contributors
New Literary History Pub Date : 2021-04-29


In lieu of an abstract, here is a brief excerpt of the content:

  • Contributors

Joel M. Childers is a PhD candidate in the Department of English at Johns Hopkins University. He writes on literary criticism and the social sciences, with a particular interest in the eighteenth and early nineteenth century.

Rita Felski is John Stewart Bryan Professor of English at the University of Virginia, Niels Bohr Professor at the University of Southern Denmark, and the former editor of New Literary History. Her books include The Gender of Modernity (1995), Uses of Literature (2008), The Limits of Critique (2015), and Hooked: Art and Attachment (2020). She is currently writing a book about the relation between literary studies and the contemporary Frankfurt School.

Rebecca Ruth Gould teaches at the University of Birmingham, where she directs the ERC-funded Global Literary Theory project. Her books include Writers and Rebels (2016), Cityscapes (2019), The Routledge Handbook of Translation and Activism (2020), Beautiful English (2021), and The Persian Prison Poem (2021). Her articles with Kayvan Tahmasebian have been published or are forthcoming in Modernism/Modernity and Representations.

David Kurnick works in the English Department at Rutgers, the State University of New Jersey, where he teaches the history of the novel and nineteenth- and twentieth-century literature. He is the author of Empty Houses: Theatrical Failure and the Novel (2012) and The Savage Detectives Reread (forthcoming).

John Lurz is Associate Professor in the English Department at Tufts University, where he teaches courses in twentieth-century British literature as well as literary theory. He published The Death of the Book: Modernist Novels and the Time of Reading in 2016, and his articles have appeared in journals such as Critical Inquiry, NOVEL, and the James Joyce Quarterly. He is currently working on a book entitled The Barthes Fantastic: Literature, Criticism, and the Practice of Language.

Ana Schwartz is Assistant Professor in the English Department at the University of Texas at Austin. She is completing her first book, American Settlement and the Making of Modern Sincerity and researching the second, a social history of the soul.

Kayvan Tahmasebian is a Marie-Curie Fellow at the University of Birmingham. He translates poetry and writes about the translational aspects of Iranian modernity. Currently he is working on a book manuscript entitled Modernity in Footnotes. With Rebecca Ruth Gould, he has coedited The Routledge Handbook of Translation and Activism (2020).

Eric Weiskott is Associate Professor of English at Boston College. He is the author of Meter and Modernity in English Verse, 1350–1650 (2021) and English Alliterative Verse: Poetic Tradition and Literary History (2016). With Irina Dumitrescu, he edited The Shapes of Early English Poetry: Style, Form, History (2019).

Copyright © 2021 New Literary History ...



中文翻译:

贡献者

代替摘要,这里是内容的简要摘录:

  • 贡献者

J oel M. C hilders是约翰·霍普金斯大学英语系的博士研究生。他撰写文学评论和社会科学著作,在18世纪和19世纪初特别感兴趣。

[R ITA ˚F elski是英文的约翰·斯图尔特·布赖恩教授在弗吉尼亚大学的尼尔斯·玻尔教授南丹麦大学和前主编新文学史。她的著作包括《现代性的性别》(1995年),《文学的使用》(2008年),《批评的极限》(2015年)和《迷恋:艺术与依恋》(2020年)。她目前正在写一本关于文学研究与当代法兰克福学派之间关系的书。

[R ebecca [R u个·乌尔德·任教于英国伯明翰大学,在那里她指导ERC资助的全球文学理论的项目。她的著作包括作家和叛军(2016),城市风光(2019),翻译和行动主义的Routledge手册(2020),美丽英语(2021)和波斯监狱诗(2021)。她与Kayvan Tahmasebian的文章已经发表或即将在《现代主义/现代性表征》中发表

D avid K urnick在新泽西州立大学罗格斯分校的英语系工作,在那里他教授小说的历史以及19世纪和20世纪文学。他是《空房子:戏剧失败与小说》(2012年)和《野蛮侦探的重读》(即将出版)的作者。

J ohn L urz是塔夫茨大学英语系副教授,在那里他教授二十世纪英国文学以及文学理论课程。他于2016年出版了《书籍之死:现代派小说与阅读时代》,他的文章发表在《批判问询》,《小说》和《詹姆斯·乔伊斯季刊》等期刊上。他目前正在写一本名为《The Barthes Fantastic:文学,批评和语言实践》的书

一个NA小号chwartz是助理教授在英语系在德克萨斯大学奥斯汀分校。她正在完成她的第一本书《美国殖民地和现代诚意的建立》,并正在研究第二本书,灵魂的社会历史。

K ayvan T ahmasebian是伯明翰大学的Marie-Curie研究员。他翻译诗歌并撰写有关伊朗现代性翻译方面的文章。目前,他正在撰写题为“脚注中的现代性”的书稿。他与丽贝卡·露丝·古尔德(Rebecca Ruth Gould)共同编辑了《劳特利奇翻译与行动主义手册》(2020年)。

Ë RIC W¯¯ eiskott是英语副教授在波士顿学院。他是《英语与现代》1350年至1650年(2021年)和《英语替代性诗:诗的传统与文学史》(2016年))的作者:《计量与现代》。他与伊琳娜·杜米特雷斯库(Irina Dumitrescu)共同编辑了《早期英语诗歌的形态:风格,形式,历史》(2019年)。

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