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Women Writing Creole Masculinity
Women's Writing Pub Date : 2021-04-21 , DOI: 10.1080/09699082.2021.1879436
Helen Thomas 1
Affiliation  

ABSTRACT

This article explores changing constructions and representations of creole masculinity within private and published texts by female authors living in Britain and its colonies during the late eighteenth and nineteenth century. Its analysis of Lady Maria Nugent’s private diary (1801–1805), Sarah Scott’s A Description of Millenium Hall (1762), and The History of Sir George Ellison (1766), Maria Edgeworth’s Belinda (1801), and Mrs William Noy Wilkins’ Slave Son (1854) highlights the ways in which female authors used literary signifiers of creole masculinity to reflect different social attitudes towards British colonial ideology, racial integration, and gender reform in the years immediately preceding the passing of the Abolition of the Slave Trade Act (1807) and during the post-emancipatory era following the Act for the Abolition of Slavery Throughout the British Colonies (1833).



中文翻译:

妇女写克里奥尔人的阳刚之气

摘要

本文探讨了十八和十九世纪末期居住在英国及其殖民地的女性作家在私人和公开著作中对克里奥尔语男性气质的不断变化的构造和表示形式。它对玛丽亚·纽金特夫人的私人日记(1801–1805),莎拉·斯科特的《千年大厅的描述》(1762)和乔治·埃里森爵士的历史(1766)玛丽亚·埃奇沃思的贝琳达(1801)和威廉·诺伊·威尔金斯夫人的《奴隶》进行了分析。儿子(1854)着重指出女性作家使用克里奥尔式男性气质的文学指称来反映在废除《奴隶贸易法》(1807)通过之前的几年中对英国殖民主义意识形态,种族融合和性别改革的不同社会态度。以及在《废除整个英国殖民地的奴隶制法》(1833年)之后的后解放时代。

更新日期:2021-04-21
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