当前位置: X-MOL 学术Journal of War & Culture Studies › 论文详情
Our official English website, www.x-mol.net, welcomes your feedback! (Note: you will need to create a separate account there.)
‘D’un bel canto patrioto francese’: On the Penetration of French Revolutionary Elements in the Spectacles of Republican Milan (1796–1802)
Journal of War & Culture Studies Pub Date : 2021-04-19 , DOI: 10.1080/17526272.2021.1886703
Alessandra Palidda 1
Affiliation  

Following the arrival of the French army in April 1796, Milan became the capital of the Cisalpine Republic (1797–1802), a ‘sister republic’ of France— a stark transformation after decades of Austrian control. While disastrous in terms of economic exploitation, the French republican governments identified spectacle as an essential tool for propaganda, control, and education. Milan was a major centre for opera, but was rather conservative as to repertoire and practices, particularly in terms of rigid separation between theatrical and nontheatrical performances. This separation was challenged with the new republican festivities. Drawing upon archival material, this article examines how spectacular elements from revolutionary France and its republican festivals infiltrated Milanese opera’s ivory tower, and how operatic elements in turn seeped into the streets to celebrate republican ideals. In so doing, this article sheds new light on theatrical and musical encounters between revolutionary France and its sister republics.



中文翻译:

“ D'un bel canto patrioto francese”:论法国革命分子在共和党米兰眼镜中的渗透(1796–1802)

1796年4月法国军队到达法国之后,米兰成为Cisalpine Republic(1797–1802年)的首都,Cisalpine Republic是法国的“姐妹共和国”,在奥地利数十年的控制之下,经历了鲜明的转变。法国共和党政府虽然在经济剥削方面造成了灾难性的损失,但仍将眼镜视为宣传,控制和教育的重要工具。米兰是主要的歌剧中心,但在剧目和做法上还是比较保守的,特别是在戏剧和非戏剧表演之间严格分开的方面。这种分离受到新共和党庆祝活动的挑战。本文利用档案资料,研究了革命性法国及其共和节的壮观元素如何渗透到米兰歌剧院的象牙塔中,以及歌剧元素又如何渗透到大街上以庆祝共和党的理想。通过这种方式,本文为革命性法国及其姊妹共和国之间的戏剧和音乐交流提供了新的思路。

更新日期:2021-04-20
down
wechat
bug