Most Akkadian epics are organized according to the same structure: the narrative arc is divided into two acts, of which the second mirrors and expands the first. The structure has already been observed in Atra-hasis, Enuma Elish, Gilgamesh, and Etana, but the recurrence of the pattern has not previously been noted. The essay explores the widespread application, individual adaptations, and literary significance of this device, noting its presence in nine cuneiform compositions.

中文翻译：

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两幕式结构：阿卡德史诗中的叙事手段

大多数阿卡德史诗都是按照相同的结构组织的：叙事弧分为两个动作，第二个动作反映并扩展了第一个动作。在Atra-hasis，Enuma Elish，Gilgamesh和Etana中已经观察到该结构，但是以前没有注意到该模式的重复出现。本文探讨了该装置在九种楔形文字作品中的广泛应用，个体适应和文学意义。