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Instruments in the liturgy of the Real Colegio Seminario de Corpus Christi, València, in the 17th century
Early Music Pub Date : 2021-04-17 , DOI: 10.1093/em/caab001
Mireya Royo

The Real Colegio Seminario de Corpus Christi in València, founded by Archbishop Juan de Ribera, was (along with the cathedral) the most important centre of musical activity in the city during the 17th century. The Constituciones of the chapel organize the liturgical calendar and its music, in the process stipulating the presence of instrumentalists on certain occasions. Later documents reveal gradual changes that were reflected in this daily practice: on the one hand, wind players were required to play on a growing number of feast-days, and including instruments other than those expected during the first years of the college chapel’s existence, while on the other hand, improvisational vocal practices began to incorporate instrumentalists. Finally, and in consonance with the development of polychoral practices, the usual accompaniment of singing by one or more organs was complemented by use of the harp from the mid 17th century. The present article traces the evolution of instrumental practice as can be appreciated in various documents preserved in the Archives of the Real Colegio.

中文翻译:

17世纪瓦莱西亚真正科莱吉奥·塞米纳里奥·德·科珀斯·克里斯蒂教堂的礼仪中的乐器

由大主教胡安·德·里贝拉(Juan de Ribera)创建的瓦伦西亚真正的科莱吉奥·塞米纳里奥·科珀斯·克里斯蒂音乐学院(连同大教堂)是17世纪该市最重要的音乐活动中心。该Constituciones礼拜堂的成员组织礼仪日历及其音乐,并规定在某些情况下有乐器演奏者在场。后来的文件揭示了这种日常变化所反映出的逐渐变化:一方面,要求管风演奏者参加越来越多的节庆活动,其中包括大学礼拜堂成立之初所期望的乐器以外的其他乐器,另一方面,即兴的声乐实践开始融入器乐演奏者的行列。最终,随着多合唱实践的发展,一个或多个器官的通常唱歌伴奏得到了17世纪中叶竖琴的补充。
更新日期:2021-04-19
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