This article is relevant, as in the process when the world community is experiencing crisis phenomena in the public consciousness and social forms of existence, the change of the museum as an accumulator of works of art and cultural centres acquires historical significance. The novelty of the study is determined by the fact that exhibitions can be held not only online or during the period when museums act as cultural centres. The purpose of the study is to research the aesthetic changes in the context of global art communication through exhibition areas in the world of museums. The leading research method was comparative analysis, thanks to which mass aesthetic changes in the process of changing the global socio-economic environment were studied. The basis for the work of UNESCO as a global repository and management centre in the museum community was shown. The authors note that the formation of museum competence and a change in the aesthetics of mass consciousness on this basis is possible only if the structural content of the coordination of museum art. The authors see the creation of a single-world museum centre as the basis for such a change.

与之相关的是，在国际社会正以公众意识和社会存在形式经历危机现象的过程中，改变博物馆作为艺术品和文化中心作品的积累具有历史意义。这项研究的新颖性取决于这样一个事实，即展览不仅可以在线举行，也可以在博物馆充当文化中心的时期举行。该研究的目的是通过博物馆世界中的展览区来研究全球艺术交流中的审美变化。领先的研究方法是比较分析，在此基础上，人们对全球社会经济环境变化过程中的整体美学变化进行了研究。显示了教科文组织作为博物馆社区的全球存储和管理中心的工作基础。作者指出，只有在协调博物馆艺术的结构性内容的情况下，博物馆能力的形成和大众意识美学的变化才有可能。作者将建立单一世界的博物馆中心视为这种改变的基础。