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Taking care of business: The routines and rationales of early-career musicians in the Dutch and British music industries
International Journal of Cultural Studies ( IF 1.754 ) Pub Date : 2021-04-10 , DOI: 10.1177/13678779211004610
Rick Everts 1 , Jo Haynes 2
Affiliation  

This article explores a small sample of musicians in two European musical contexts – the Netherlands and the UK. It examines the relationship between the conditions of national music industries and the strategies used to negotiate a career in music and the extent to which musicians frame their careers as entrepreneurs. Interview data from two projects with early-career musicians form the basis of our secondary comparative analysis. We argue that their strategizing can be framed as a set of responses to their local structural conditions. However, neither set of responses produces market advantage. Instead, traditional power and economic relations that reinforce the logic of the hegemonic mainstream industry tend to prevail, whereby only a very small fraction of the aspiring musicians can sustain themselves financially in music.



中文翻译:

做好生意:荷兰和英国音乐界的早期音乐人的套路和基本原理

本文在两个欧洲音乐环境(荷兰和英国)中探索了音乐家的一小部分。它研究了国家音乐产业的状况与谈判音乐事业所采用的策略之间的关系,以及音乐家在何种程度上构筑其作为企业家的职业生涯。来自两个项目的与早期职业音乐人的访谈数据构成了我们二次比较分析的基础。我们认为,他们的策略制定可以构想成对当地结构条件的一套回应。但是,这两种回应都没有产生市场优势。取而代之的是,加强霸权主流产业逻辑的传统权力和经济关系趋于盛行,因此,只有极少数有抱负的音乐家能够依靠音乐维持自己的经济。

更新日期:2021-04-11
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