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Jean Toomer after Cane
MELUS Pub Date : 2021-04-05 , DOI: 10.1093/melus/mlab005
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Abstract
I reassess Jean Toomer’s poetics after the publication of his first novel Cane (1923). Cane’s critical reception has impacted and limited our understanding of his poetry, and of his racial identification, from the late 1920s to 1940s, when Toomer sought inspiration from the Eastern mystic, George Ivanovich Gurdjieff, and later from the Religious Society of Friends, or Quakers. Challenging the neat binary of Toomer’s lyrical and didactic strains in his later work, and spotlighting the complexity of his racial posturing, I argue that the central elements of Toomer’s poetics remained constant, particularly his attention to moral and spiritual enlightenment in order to address the pressing psychosocial and racial issues of his time.


中文翻译:

甘蔗后的吉恩·图默尔

摘要
在他的第一本小说《甘蔗》Cane,1923年)出版之后,我重新评估了吉恩·汤默尔的诗学。从1920年代后期到1940年代,当时的Toomer寻求东方神秘主义者George Ivanovich Gurdjieff的灵感,后来又从宗教友朋会(Quakers)寻求灵感,甘蔗的批判性接受影响并限制了我们对其诗歌和种族认同的理解。 。我挑战了图默尔抒情和说教风格的整洁二元性,并强调了他种族姿态的复杂性,我认为图默尔诗学的核心要素保持不变,尤其是他对道德和精神启蒙的关注,以解决紧迫感。他那个时代的社会心理和种族问题。
更新日期:2021-04-08
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