This article examines the use of Sufi lexicons (iṣṭilāḥāt) through the relatively unknown Mystical Commentary of the Love Lyrics of Ḥāƒiẓ by Abū al-Ḥasan Khatamī Lāhūrī. It resituates the iṣṭilāḥāt within the context of the philosophical-Sufi tradition, engaging theories of metaphor, imagination, poetry, and imaginaries from Ricœur, Castoriadis, Lakoff and Johnson, and Caputo. Rather than employing the iṣṭilāḥāt to produce a static correspondence between poetic terms and metaphysical realities, Lāhūrī’s theo-poetics transposes the metaphors and poetics of the poems into metaphors and poetics of this phenomenal world. This reading challenges previous criticisms of Sufi commentaries, particularly on the dīvān-i Ḥāfiẓ. The critique that the application of iṣṭilāḥāt disembodies or allegorizes the poetic images is challenged when they are interpreted within the philosophical-Sufi tradition. Contrary to literary criticisms of iṣṭilāḥāt, the poem is not merely a formal suitcase for mystical meaning; rather, poetics, the poem’s content, and theology create a nexus of interpretation for Lāhūrī.

本文探讨使用苏菲词汇（的iṣṭilāḥāt通过相对未知的）爱歌词Ḥāƒiẓ的神秘解说阿布·哈桑哈塔米Lāhūrī。它在苏菲哲学传统的背景下重新定位了iṣṭilāḥāt，融合了里库尔，卡斯托里亚迪斯，拉科夫和约翰逊以及卡普托的隐喻，想象，诗歌和想象的理论。拉胡里的神学诗人没有使用iemployingilāḥāt在诗词和形而上学的现实之间产生静态的对应关系，而是将诗的隐喻和诗学转变为这个现象世界的隐喻和诗学。这种读法挑战了以前对苏菲评论的批评，尤其是对dīvān-iḤāfiẓ的批评。。该应用的批评iṣṭilāḥāt时，他们的哲学苏菲传统中解释disembodies或allegorizes诗意图像受到挑战。与对iṣṭilāḥāt的文学批评相反，这首诗不仅是表达神秘含义的正式手提箱，而且 相反，诗学，诗的内容和神学为拉胡里创造了一个解释联系。