Abstract

Although it has never constituted itself as a genre within the French sphere, within the cannon of twentieth-century "Literature" are many texts that share the characteristics traditionally associated with “nature writing” (first person observational prose infused with a consciousness of natural history), including those of Francis Ponge and René Char. While ecocriticism has expanded to examine many different types of literature, these two authors represent a strain of nature writing in France, through dialogue with ancient Greek philosophy and the use of poetic techniques that create space for the autonomous existence of non-human entities, anticipate the dismantling of the human/nature divide. Their work also, just as crucially helps to break down the division between ecological writing and ecological action.

摘要

尽管它从未在法国范围内构成一种体裁，但在20世纪“文学”的大炮中，仍有许多文本具有传统上与“自然写作”相关的特征（融合了自然历史意识的第一人称观察性散文） ），包括Francis Ponge和RenéChar。尽管生态批评已经扩展到研究许多不同类型的文学作品，但通过与古希腊哲学的对话以及诗歌技术的运用，这两位作者代表了法国的自然写作的一种方式，预计消除人与自然鸿沟。他们的工作也同样重要地有助于打破生态写作与生态行动之间的鸿沟。