The objective of this study was to analyse the changes in social fabric caused by the armed conflict in Colombia among people who had been the victims of forced displacement and who, when arriving in the new places, participate in a musical-social programme. The study was conducted using testimonies from interviews and in the form of sound postcards, an ethnographic research tool. Twenty-one interviews with 14 interviewees in the Music for Reconciliation (MFR) programme of the Batuta National Foundation (BNF) and their families were analysed, and 70 sound postcards, revealing the meaning of interviewees’ sonic landscapes, or soundscapes, in their everyday lives. Their sound environments were found to have changed significantly; having been rural before forced displacement they became urban, and there were also changes in interviewees’ social bonds with people and relationships to objects in the environment. The study reveals a significant change in their sound landscapes before and after forced displacement and analyses the impact of these sonic landscapes and their meaning in the everyday lives of the participants. Finally, the use of sound postcards highlights MFR music centres as places where displaced people can be helped to form new bonds. The sound environment of these music centres give meaning to music making, generating positive feelings and providing participants with an emotional support network.

这项研究的目的是分析在强迫流离失所的受害者中，由于武装冲突而在哥伦比亚发生的社会结构的变化，这些人到达新的地方后参加了一个音乐社会节目。这项研究是使用访谈中的证词以及人种学研究工具声音明信片的形式进行的。在巴图塔国家基金会（BNF）的和解音乐（MFR）计划中，对14位受访者进行了21次访谈，并分析了他们的家人和70张声音明信片，揭示了受访者的声音景观或声景的含义，在他们的日常生活中。发现他们的声音环境发生了很大变化。在被迫流离失所之前是农村人，后来他们变成了城市。受访者与人之间的社会纽带以及与环境物体的关系也发生了变化。这项研究揭示了他们在被迫流离失所之前和之后声音状况的重大变化，并分析了这些声音风景的影响及其在参与者日常生活中的意义。最后，声音明信片的使用突出了MFR音乐中心，可以帮助流离失所者建立新的纽带。这些音乐中心的声音环境为音乐创作赋予了意义，产生了积极的感觉，并为参与者提供了情感支持网络。