ABSTRACT

Framing Lewis Trondheim’s Formidables aventures de Lapinot as a critical take on Franco-Belgian serial bandes dessinées, this article examines how Trondheim explores and exhausts the constraints associated with the medium, and particularly the notions of forms, characters, and roles. Changing, unstable, and reimagined character-spaces and character-systems suggest the metamorphosis of the eponymous character from a function into a sign. The character not only operates within the formal and narrative systems of classic bandes dessinées but also acts, through a series of transformations, as a sign of these systems.

中文翻译：

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“ Ne me dis pas que tu crois aux signes”：Forpi etmétamorphosesdes Formidables aventures de Lapinot de Lewis Trondheim

摘要

构筑刘易斯·特隆赫姆的《拉皮诺大冒险》，这是对法兰克-比利时串行乐队dessinées的批判，本文探讨了特隆赫姆如何探索和利用与媒介相关的约束，尤其是形式，角色和角色的观念。不断变化，不稳定和重新构想的字符空间和字符系统表明，同义字符已从功能转变为符号。角色不仅在经典乐队dessinées的形式和叙事系统中运作，而且通过一系列转换来作为这些系统的标志。