Abstract

A striking feature of Stravinsky’s neoclassical works is his simultaneous use of two or more topics. Robert S. Hatten (2014) has defined this process as troping, which involves four axes or “dimensions along which an imported topic and its potential tropological interaction may be marked with respect to its new environment,” defined as degrees of compatibility, dominance, creativity, and productivity. In this article, I use these four axes to demonstrate how combining analytical insights from each axis and adapting them for twentieth-century music can lead to nuanced expressive interpretations of Stravinsky’s neoclassical works.

中文翻译：

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斯特拉文斯基新古典主义作品中的人类学互动和表达解释

摘要

斯特拉文斯基新古典主义作品的一个显着特征是他同时使用两个或多个主题。Robert S. Hatten（2014）将这个过程定义为troping，它涉及四个轴或“维度，沿着这个维度，可以针对新环境标记进口的主题及其潜在的形态学相互作用，”其定义为相容度，优势，创造力和生产力。在本文中，我将使用这四个轴来说明如何结合每个轴的分析见解并使其适应二十世纪的音乐，从而对斯特拉文斯基的新古典主义作品进行细致入微的表达解释。