It is widely accepted that computational technologies shape the relationship of musicians, instrument builders and composers with music, affecting various socio-cultural realisms in music. In this article, I discuss in what ways music-making still emerges as a social construct, even as a result of the mutual cooperation with human musicians and AI-powered autonomous instruments. I argue that building, making, and performing with a digital musical instrument has undergone a gradual socio-technological change that has affected art, science, technology, culture and communities in general. I support my investigation through the current performance and composition practice of the autonomous AI-terity musical instrument.

计算技术影响着音乐家，乐器制造商和作曲家与音乐的关系，从而影响了音乐中的各种社会文化现实主义，这一点已被广泛接受。在本文中，我将讨论以何种方式使音乐创作仍会成为一种社会建构，即使是与人类音乐家和AI驱动的自主乐器相互合作的结果。我认为，数字乐器的制造，制作和演奏已经经历了逐渐的社会技术变革，从而影响了艺术，科学，技术，文化和整个社区。我通过自主的AI-terity乐器的当前性能和作曲实践来支持我的调查。