Rabbi Nahman’s philosophical and literary work has generated great interest among artists in various fields over the course of the last few decades, an interest of such degree and power that it has no equal in the traditional Jewish world. In this article, I will discuss one element of Rabbi Nahman’s spiritual world that may explain to some degree the attraction of his work to painters and other artists who deal with visual arts, which is the important role of visions in his spiritual world and in his writings. I will also demonstrate how Rabbi Nahman uses the tools of visual imagery not only in his literary work but also in his philosophical work, as compiled in his two-volume book of sermons, Likutei Moharan (Collected Teachings of the Master), published in 1806 and 1811. I will then discuss the connection between the narrative and visual layers of Rabbi Nahman’s work and worldview.

拉比·纳赫曼（Rabbi Nahman）的哲学和文学作品在过去的几十年中引起了各个领域艺术家的极大兴趣，这种兴趣和程度如此之高，以致于它在传统的犹太世界中无与伦比。在本文中，我将讨论拉比·纳曼（Rabbi Nahman）的精神世界的一个要素，该要素可以在一定程度上解释他的作品对从事视觉艺术的画家和其他艺术家的吸引力，这是视觉在他的精神世界和他的精神世界中的重要作用。著作。我还将展示拉比·纳曼（Rabbi Nahman）不仅在他的文学作品中而且还在他的哲学作品中如何使用视觉图像工具，正如他在两册讲道书《力库蒂·莫哈兰》（Likutei Moharan，《大师传授》）中所汇编的那样，该书于1806年出版。和1811。。