The last few years have seen increasing research interest in moods and atmospheres. While this trend has been accompanied by growing interest in the history of the word Stimmung in other disciplines, this has not yet been the case within philosophy. Against this background, this paper offers a conceptual history of the word Stimmung, focusing on the period from Kant to Heidegger, as this period is, presumably, less known to researchers working with notions like mood, attunement or atmosphere today. Thus, considering this period might provide conceptual resources not yet considered in current debate. Stimmung has the remarkable feature of encompassing the entire semantic field of mood and atmosphere, insofar as both subjects and objects can literally be in Stimmung. Stimmung might refer to the state or condition of being attuned, which is understood as a dispositional state, as well as the process or act of attuning, which includes self-activating and foreign-determined forms of attuning. The word was first used for the tuning of musical instruments, but was quickly transferred to the fields of aesthetics, psychology, and physiology. This paper will focus on the contrast between the psychological canonization of Stimmung as a type of mental state, and the use of Stimmung as an untranslatable, irreducible metaphor with unique semantic force allowing for original theorizing.

中文翻译：

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超越情绪和氛围：Stimmung 一词的概念史

在过去的几年里，人们对情绪和气氛的研究兴趣越来越大。虽然这一趋势伴随着其他学科对 Stimmung 一词历史的兴趣日益增长，但在哲学中尚未出现这种情况。在此背景下，本文提供了 Stimmung 一词的概念历史，重点关注从康德到海德格尔的时期，因为今天研究情绪、调和或气氛等概念的研究人员可能不太了解这一时期。因此，考虑这一时期可能会提供当前辩论中尚未考虑的概念资源。Stimmung 的显着特点是涵盖了情绪和气氛的整个语义领域，只要主体和客体都可以真正地在 Stimmung 中。Stimmung 可能是指被协调的状态或条件，这被理解为一种倾向状态，以及调优的过程或行为，包括自我激活和外来决定的调优形式。这个词最初用于乐器的调音，但很快转移到美学、心理学和生理学领域。本文将重点讨论 Stimmung 作为一种心理状态的心理经典化与 Stimmung 作为不可翻译的、不可简化的隐喻的使用之间的对比，该隐喻具有独特的语义力量允许原始理论化。