Abstract:

This article seeks to answer a specific question: Were there ever any women among the so-called grands rhétoriqueurs of the early sixteenth century in France and Burgundy—any grandes rhétoriqueuses? Usually only men are classed among this group of poets, but if women are to be included, then surely one must begin by considering the little-known poetry of Margaret of Austria (1480–1530), daughter of Holy Roman Emperor Maximilian I and the aunt and guardian of the future Emperor Charles V. Indeed, a careful examination of Margaret's poems demonstrates that her meter, style, emphasis on the infinity of suffering, and insistence on the act of writing as an arbiter of immortality all point to the common topoi of rhétoriqueur poetry in early Renaissance France and Burgundy. Margaret's active collaboration with court poets, furthermore, which influenced their poetic production as well as her own, also suggests that Margaret of Austria indeed falls within the parameters delineating the poetry of the so-called grands rhétoriqueurs.

摘要：

本文试图回答一个具体的问题：是否有过任何女人所谓的中格兰兹·罗托里克尔在法国和勃艮第，任何十六世纪早期的GRANDESrhétoriqueuses？通常只有男性才属于这一类诗人，但是如果要包括女性，那么一定要考虑一下鲜为人知的奥地利玛格丽特诗歌（1480–1530年），神圣罗马帝国皇帝马克西米利安一世和的确，阿姨和未来皇帝查理五世的监护人。确实，对玛格丽特诗歌的仔细研究表明，她的计量，风格，强调痛苦的无限性以及坚持作为永生仲裁者的写作举止都表明了共同的拓扑结构。的rhétoriqueur文艺复兴初期法国和勃艮第的诗歌。玛格丽特与宫廷诗人的积极合作不仅影响了她的诗歌创作，也影响了她的诗歌创作，也表明奥地利的玛格丽特确实在描述所谓的大修辞者的诗歌的范围之内。