Abstract:

This article explores the idea of the 'tragic festival' advanced by Henri Lefebvre in his 1965 book La Proclamation de la Commune and related texts from the 1960s and 70s. It contextualises his vision of the Commune as a violent revolutionary festival in terms of his explorations of tragedy in his earlier studies of Nietzsche and Pascal, while problematising the link between the festival and everyday life, as well as the festival and revolutionary transition (and its failure). The reconstruction of Lefebvre's delineation of the Commune's tragic 'style' is complemented by an excursus into the political origins of the Nietzschean theory of tragedy in the German philosopher's horrified reaction at the incendiary insurgency of the Communards. The article concludes with a dialogue between Lefebvre's theory of the tragic festival and the Italian mythologist Furio Jesi's study of the symbology of the revolt, which also homes in on the nexus of tragedy, festivity and politics.

摘要：

本文探讨了亨利·列斐伏尔（Henri Lefebvre）在1965年出版的《公社宣言》中提出的“悲剧节”的构想。以及1960年代和70年代的相关文本。从他对尼采和帕斯卡的早期研究中对悲剧的探索来看，它把他对公社暴力革命的节日的看法作为背景，同时又对该节日与日常生活之间的关联以及节日与革命过渡（及其变革）之间的关系提出了质疑。失败）。列斐伏尔对公社悲剧性“风格”的描绘的重建，加上对尼采悲剧理论的政治起源的补充，这是德国哲学家对公社的煽动性叛乱采取的恐怖反应。文章最后以勒菲弗尔的悲剧节理论与意大利神话学家Furio Jesi对反叛的象征学进行的研究进行了对话，该研究也涉及悲剧的根源，