Abstract:This paper explores Horace's relationship with neoteric poetry in the context of Epodes 11 and 12 as signaled by Horace's use of meaningful names. Epode 11 focuses on Latin love elegy, but Epode 12 engages broadly with neoteric poetics through names associated with and references to that earlier poetry. This includes an adaptation of the lament from Calvus' Io. Horace creates a portrait of the mulier in Epode 12 that stands in contrast to the ideal neoteric woman. Horace's sexual failure with her dramatizes the poet's relationship with iambic invective, of which she is an allegorical representation.

中文翻译：

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O Ego Non Felix：Inachia、Lesbia 和 Horace 的 Epodes

摘要：本文在 Epodes 11 和 12 的背景下探讨了贺拉斯与近代诗歌的关系，正如贺拉斯使用有意义的名字所表明的那样。Epode 11 侧重于拉丁爱情挽歌，但 Epode 12 通过与早期诗歌相关的名称和引用广泛地涉及近代诗学。这包括改编自 Calvus 的 Io 的哀歌。贺拉斯在 Epode 12 中创造了穆里尔的肖像，与理想的近代女性形成鲜明对比。贺拉斯与她的性失败戏剧化了诗人与抑扬格谩骂的关系，她是其中的寓言代表。