The crisis of state cultural institutions in Bosnia and Herzegovina that started in 2010 peaked with the closure of the National Museum in 2012. The crisis exposed the fragmentation that was taking place within Sarajevo’s cultural elite and the increasing gap between the former state cultural institutions and the civil sector. This paper examines the entanglement between the memory of the siege of Sarajevo and the fractioning within Sarajevo’s cultural elite through Pierre Bourdieu’s concept of cultural capital and social distinctions, using the examples of the National Museum of Bosnia and Herzegovina and the Sarajevo Film Festival.

中文翻译：

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危机时期的文化资本：萨拉热窝战后文化精英的分裂

2010年开始的波斯尼亚和黑塞哥维那国家文化机构危机以2012年国家博物馆的关闭而达到顶峰。该危机暴露了萨拉热窝文化精英内部的分裂，以及前国家文化机构与国家文化机构之间的差距日益扩大。民间部门。本文以波斯尼亚和黑塞哥维那国家博物馆和萨拉热窝电影节为例，通过皮埃尔·布迪厄的文化资本和社会区分概念，考察了萨拉热窝被围困的记忆与萨拉热窝文化精英之间的纠缠之间的纠缠。