This article examines an intermedial adaptation, focusing on the potentials of two different media in the presentation of conflicting ideologies in Iran: Tabar (“Axe”) (1980, dir. Ahmad Arabani), a silent animation, and the picture book of the same title, by Shekoofeh Taqi and Manoochehr Dehqan, published in 1985. The two works have been chosen because they were both published at a time when Iran was tackling serious internal and external tensions after the Islamic Revolution. The ideological content of both the picture book and the animation can shed light on the discourse of didacticism that prevailed in Iran during the 1980s. Both works feature deforestation as a threat, but patriotism is the theme of the animation, whereas female resistance against male oppression is the message of the picture book.

本文研究了一种中间适应，重点介绍了两种不同媒体在展现伊朗意识形态冲突时的潜力：塔巴尔（“ Axe”）（1980，导演艾哈迈德·阿拉巴尼（Ahmad Arabani）导演），无声动画和同一本图画书书名由Shekoofeh Taqi和Manoochehr Dehqan于1985年出版。之所以选择这两部作品，是因为它们都是在伊斯兰革命后伊朗解决严重的内部和外部紧张局势之时出版的。图画书和动画的思想内容都可以阐明1980年代在伊朗盛行的说教主义话语。这两部作品均以砍伐森林为威胁，但爱国主义是动画的主题，而女性抵抗男性压迫则是图画书的信息。